English, please / Press
Edicola 518. Infinity in 4 Square Meters
Emilia Barbu
In Perugia, a town at the heart of Italy, a newsstand seemingly popped up out of nowhere to shake up the world.
In Perugia, a town at the heart of Italy, a newsstand seemingly popped up out of nowhere to shake up the world.
Other colleagues who were not around today write to me: “How was it? Wish I was there”. In the bus, I post a short clip with the message on the cinema: „Stay safe and see you soon.”
For about 15 years, Kasia and David have been building stories in which the viewer becomes an actor and is able to push the script further, as in a video game.
We spoke with actress Ilinca Manolache about the limits of theater and "Love Island", society and TikTok, misogyny and trivialized violence, but also about her role in Radu Jude's latest film, "Don't Expect Too Much From the End of the World".
I met in London with the team of "The Night Of", the new HBO series.
Mungiu returns to Cannes with a film about an existential crisis.
Day #3 in San Sebastian: on the fringes of reality and fiction. Stone says Obama’s USA is as bad as Nazi Germany. Historic docs and fiction. Hong-san soo. “American Pastoral”.
I wanted to learn more about one of the greatest stage and screen actors in post-communist Romania.
Călin Netzer returns to the Berlinale with the hotly anticipated love story "Ana, mon amour" - but is his follow-up to "Child's Pose" Golden Bear-worthy?
The TIFF guest of honor doesn't smile too often - and he doesn't need to either.
We went to Camden International Film Festival and found out how innovative technology helps us create empathy through more immersive stories.
I have no clear ambitions in life, I am convinced that the idea of success is relative and that the formulas for happiness are narrow. Whence, however, the compulsive need for more and better, which grinds me down, but also exalts me? And what is its price?